神tm过瘾天马行空都不足以形容影片的脑洞刨去那些恰到好处信手拈来的动作喜剧娱乐成分以及那些让人爆笑的羊具豹局屎尿屁影片触及到了之前所有电影从未触及到的境界(攻壳机动队1995、黑客帝国曾无限接近)当无限的everything、everywhere完全all at once飓风可以娴静核爆可以安宁一片落叶可以狂躁和癫狂……生命和宇宙无限的选择和可能、人类的愉悦和尘埃的悲伤、蚍蜉的喧腾和石头的孤独、新生的蓬勃和毁灭的悲壮时刻交织转换形种相通一切变得极富意义又毫无意义就像那两块缄默的石头在无声中用最肮脏的笑话来嘲笑人类的渺小与愚蠢
Wes Anderson gets bolder with visual expressions. It’s a personal letter to all the things Anderson loves, such as cuisine, French youth culture in the 60s, and traditional print media. Even the tiniest details are infused with nostalgia. It reminds me of Quentin Tarantino somehow but came out with his unique style.