World War Z可看的套路拼貼進場冗影像普化妝糙開場指引交通的假人:殭屍片對「情定少林寺全集」的恐懼(迎面而來的未知扭曲身體、忽然間從熟人變得比陌生人還陌生)接上韓國電影的階級意識(窮人、示威者等邊緣形象)列車的有限空間指人為巫、走後門亞洲文化特質收尾像在南北韓邊境(某方面來說這種場面也是韓國電影的套路如《梁丹妮》)馬東石很搶眼電影成就了他赤手空拳以一擋百、對女性與小孩沒輒的形象
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“Osgood.I'm a man. ”“Well,nobody's perfect. ”我爱死鸭嘴兽一般的老富翁 了解到梦露的真实生活再看这片里她清纯无辜的面孔在月色下说“要是妈妈在就好了看到我一个来自内华达州的女孩儿和壳牌二世在一起”不由得感慨心酸
If I ask you about women,you'll probably give me a syllabus of your personal favorites.You may have even been laid a few times.But you can't tell me what if feels like to wake up next to a woman and feel truly happy.You're a tough kid. 每次看老电影时就好想淘一个90年代的颗粒感很强